DECEMBER 2007, Newport News, VA

Wayne Dawkins

A soulful, wholesome ‘This Christmas’

The syndicated review of “This Christmas” published in my 90,000-circulation hometown paper in Virginia said the film was a collection of clichés.

Nevertheless, the reviewer and the Daily Press, my paper, gave “This Christmas” 2.5 stars out of 4-star rating. That’s better than a so-so 2-star rating, but not enough sparkle to merit 3-star very good validation.

Three weeks since the November opening, I got to see the film for myself. I went to an 11:20 a.m. Saturday screening and sat with two dozen folks.

I concur with the reviewer on many of the style points. In the first 30 minutes, the characters seemed a little stilted before the ensemble warmed to their roles.

As for the clichés, I welcome them. It was time for Hollywood to dip into the rich well of black culture and dress the gifts up with some movie clichés.

Or, instead of using “cliché,” which can be interpreted as dismissive, did the virtually African-American cast riff effectively off a canon of classic movies and a few pop icons?

“This Christmas” offers me a new film to compare with two black films, the Christmas-oriented “Preacher’s Wife,” [1996] starring Denzel Washington, Whitney Houston and Courtney B. Vance, and “Soul Food,” [1997] starring Vivica A. Fox, Nia Long, Mekhi Phifer, and Vanessa Williams.

The stars of this season’s holiday movie are Loretta Devine, Delroy Lindo, Regina King, and R&B teen idol Chris Brown.

Regina King mirrors Vivica Fox 11 years ago as the earth mother and at times pushy big sister and second mom of the clan. Meanwhile Devine is a tad sexier version of the matriarch of “Soul Food.”

Just a tad sexier because the grown-up kids are surprised that Ma’Dere has had Joseph Black [Lindo] living with her for four years. Some of these children are a little queasy imagining mom getting her freak on.

Lindo, the deacon, adds the masculine flavor that was apparent  in “The Preacher’s Wife” because of Vance’s role as the pastor, and Denzel’s saccharine-sweet part as the angel.

As for Chris Brown, and his character, the reviewer said the director Preston A. Whitmore II borrowed liberally from “Mama, I Want to Sing!” the 1980s stage play. I guess that was a problem. Yet consider this: In our attention-deficit times, many movie goers probably don’t know about “Mama, I Want to Sing!” so “This Christmas” does customers a favor and introduces them to a remake of the wholesome performance.

Truth be told, Brown recalls a teenage Frank Sinatra. In the 1940s, old blue eyes, decked out in his sweater and full head of wavy hair, had the girls swooning. In the 2000s, young brown eyes [Chris Brown] must have the girls jumping out their skin as he woos them with an updated version of soul man Otis Reddings’ “Try a Little Tenderness,” plus another soulful swing at “This Christmas” that should make the late great Donny Hathaway proud.

And yes, up above I uttered the “W” word, wholesome. I crave black-themed movies that are PG and PG-13, stuff I can see with my family and also see joyfully with friends and strangers. The movie crackled enough with a little sexual tension and suggestion. There was some violence, but not the gratuitously traumatic kind. Black folk are too close to violence and trauma in real life, so we don’t have to see scenes played out on screen.   

This Christmas was entertaining. It is not filmmaking artistry, just some good old commercial entertainment. It’s the kind of holiday film that will join my must-see viewing along with “Love Actually” [Hugh Grant, Emma Thompson, Liam Neeson, Keira Knightley] plus other fare.

 

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